Wie Alt Ist Alphaville : Alphaville, a synthpop band best known for songs such as “Big in Japan” and “Forever Young,” was founded in 1983 in Münster, Germany, by Marian Gold, Bernhard Lloyd, and Frank Mertens, all in their 60s. “Alphaville” was omnipresent in the music business throughout the 1980s. The Münster-based synth-pop band rose to prominence in the 1980s with songs such as “Big in Japan” and “Forever Young.”

Hartwig Schierbaum, better known as Marian Gold, was a co-founder of “Alphaville” and essential to the band’s formation in 1983.

Marian Gold was born in the German town of Herfort in the state of North Rhine-Westphalia. But the son of a heater maker didn’t remain in Westphalia for long, moving to Münster in the early 1980s before squatting in Berlin for a period. Marian Gold formed a band with friends Bernhard Lloyd and Frank Mertens called “Forever Young,” which was then renamed “Alphaville” after a year. As they say, the rest is history—music history.

you can learn more about them from here:

https://en.wikipedia.org/wiki/Alphaville_(band)

“Alphaville” swiftly topped the charts because of Marian Gold’s captivating lead vocals. With the publication of their debut song “Big in Japan,” the three were immediate superstars, and successive singles “Sounds Like A Melody” and “Forever Young” defined the band’s style before they migrated to Berlin in 1985. Marian Gold was able to blow out some steam as a musician and performer with “Alphaville.” The musician published many albums in the 1990s, including “So Long, Celeste” and “United,” but when he released “Alphaville,” he was unable to repeat the financial success of his previous work. However, the synth-pop band continues to exist; new songs and remixes of vintage favorites are often uploaded online, and “Alphaville” (by Marian Gold) is sometimes played live.

Synthpop band Alphaville, famed for hits like “Big in Japan” and “Forever Young,” was formed in Münster, Germany, in 1983 by three men in their 60s named Marian Gold, Bernhard Lloyd, and Frank Mertens.

Marian Gold has achieved personal success as well. The 63-year-old father had seven children from four different women. Marian Gold discussed his eleven-year second marriage in an interview with “Gala.” According to Marian Gold’s interview in “Bunte,” the musician’s last marriage lasted just six weeks after saying “yes,” thus this second attempt was a huge success.

We jumped from 0 to 100 in a single day, just like that. The synth-pop band Alphaville’s 1984 tracks “Big in Japan” and “Forever Young” are instances of this. These songs are still regarded as iconic examples of the 1980s’ edgy musical style. Marian Gold, the band’s singer, and former keyboardist Bernhard Lloyd spoke to t-online about how the band’s unexpected popularity had changed their lives.

“I wasn’t a punk myself, but I lived among them,” Gold adds. That was in the early 1980s. “Being homeless in Berlin enabled me to blend in with the natives.” Then you were in the company of others who were also homeless and suffering. “It was tolerable in the summer but more difficult in the winter.” However, if you release your first song, “Big in Japan,” in Germany, you could just top the charts there.

The artist recalls how the benefits of fame made it seem as though “you’re suddenly flying first class, while before you were hitchhiking.” “The next thing you know, you’re staying in the most luxurious hotels when you couldn’t even afford a studio.” “You might have been at the theatre or watching the movie.”

Lloyd, his former bandmate and keyboardist, describes the successful song as “enjoyable yet unsurprising”: “We were unaffected by 1984 in any meaningful manner.” True, as Marian pointed out, we were an integral part of the production. To some degree, the conclusion was foreseen. It was astonishing, yet quite predictable. “At the time, I was volunteering as part of my community service.” He adds as an afterthought: “Of course, I was overjoyed, but that was to be anticipated given how much we believed in our music.” We wondered how things could have gone any differently.

But you’d be incorrect if you thought the three of them spent all of their time drinking champagne by the pool and partying like rock stars. “We didn’t experience high life as you understand it,” Lloyd says solemnly. “We hurried to make sense of everything and get our bearings.” There was a lot of external pressure present that wasn’t there when the first strikes were administered. Our fans had a lot of hopes for the second album. “But I think we made it through the storm,” she said.

Even more so with “Afternoons in Utopia” in 1986 and “The Breathtaking Blue” in 1989, the band was pushed to figure out who they were as musicians. “A lot was going on when we first began recording, and every one of us had many personalities.” We often become what other people see in us. When we were teenage heroes on “Bravo,” I was nearing 30. In a magazine, a 19-year-old salesgirl characterized me as follows: “Gold is giggling.” The band members, on the other hand, need a lot of introspective time to comprehend their sudden fame.

“Forever Young” or “Big in Japan” is most certainly booming in your ear right now. Following that, the remaining extremely successful singles from 2020 will very certainly qualify for severe cuts in 2021. Gold isn’t fantastic, but it’s also not bad, particularly since Alphaville’s third album is one of their best musical efforts.